All I want to do is walk. Any chance I get, I take off. It
doesn’t necessarily help that six seven hours a day are spent bumping around in
a bus or in the back of a jeep. We ride parallel to rushing rivers that are voraciously
being dammed. Beside, the headquarters of hydro and cement companies sprawl. It
isn’t long before the asphalt disappears and gives way to more humble tracks
upon which to tread. We slowly climb up and eventually back down lush green
hills. And while the winding dirt roads mean travelling at the snail’s pace, it
still feels like I’m going too fast.
My eyes try as best they can to feast on my surroundings, but
more often than not they are fixed upwards, glued to snowcapped peaks. I can’t
help it. There is something about those sharp, jagged edges that arrest,
keeping me in awe, aware of my size. When they move out of view, I take in the
breadth of the landscape. Another world defined by a direct relationship with
the land comes into focus. As soon as we stop for tea or reach our destination in
Kinnaur, in Kullu, in Mandi, my legs take over. Every free moment I can steal away,
I want to take in these hills and streams and staircase villages.
So every evening after heated discussions on community
forest rights, I leave my new activist friends behind and begin to wander. It’s
only on my own two feet that I feel like I can move slowly enough to feel
everything that this place stirs inside. My mind is engaged in constant
conversation with itself; I am only a bystander at this point, quietly
listening to the back and forth banter inside my head.
Climbing up worn pathways, I quickly get lost trying to find
my way to an arbitrarily picked destination way above where I stand – a temple,
an orchard, a waterfall. Amused villagers ask where I am going and I excitedly
reply that I’m simply going for a walk. It’s not long before I am again sitting
down with strangers, drinking tumbler after tumbler of sweet pahadi chai.
I know these moments mean more because of those summers I
spent as a kid exploring a similar setting in Kangra. Sent to my Nanaji and
Nanima’s house, the monsoon
welcomed me. I know it’s because of the
memories that come back from that
year in Kumaon that makes it all the more meaningful. And now, with a few more
years on me and a (relatively) more stable head on these shoulders, I keep my
ears open, attuned to the secrets
being whispered.
I no longer try to compartmentalize or label the feelings
that arise. Rural life with all its beauty, generosity, and hardships stands
directly in front of me. Not asking for anything, yet still demanding all of my
attention. The smell of wood-fed fires
brings waves of nostalgia and inspiration that wash over me, making it all so
dangerously easy to romanticize. Standing atop of a world that at once seems familiar,
and yet one I know I cannot claim to fully understand. It is here I recognize there is too much upon
the hills and below the surface that I am unable to put into words.
No comments:
Post a Comment